On Taking Pictures Shifting the Way I Blog, On Blogging Changing the Way I Take Pictures

heading in

Dean Shareski’s post reflecting on his experience with the 366 Photo Project and Alan Levine’s comment back to him about using metaphor on/in both image and writing have me thinking again about the relationship between image and text in my blogging and more actively creative explorations. Like Dean, I’ve written numerous times about the power of images in my work, in my case, in the writing classroom, about how taking language away can reinvigorate one’s relationship with it, and how images extend text and vice versa rather than illustrate one another when they are at their best–or when they create, yes, metaphor. The sum should be greater than the total of its parts.

walking on the beach

I’ve been noticing something shifting in the way I blog and in the way I take pictures: how using language and taking photos often–not always but often– influence one other, intersect with one other, complicate one other as I am in the act, and not just once they are placed down into a post. In other words, I not only lug my camera with me wherever I go and take lots of pictures (except when I intentionally leave my camera behind so that I have to relate to what I am seeing with myself alone, something I do pretty often, actually, as an important exercise), and try with every click of the shutter to do so actively, mindfully, thinking of that image on its own distinct from any other image I’ve taken, so as to keep growing as a photographer, but–and this is a real change for me–I am increasingly unable to disentangle the picture-taking moment from writing, and the writing moment from picture-taking, at least the writing moments that interest me. As I frame a shot, I feel a story suggested, or a point I want to make on blog or in a digital multimedia piece or in a talk. And I don’t mean in a representational way or even in a clearly metaphorical way. Something about the color, the saturation, perhaps, or the angle, the contrast, and not necessarily the subject at all.

Photos for me are never isolated incidents or expressions, then, but part of other things, or preludes to other things. I guess that is why the 366 Project isn’t my thing–I am too messy, too discursive, a storyteller working in bursts from a center, building towards something–I usually know not what until I am well into the creating. Take how did I get here this image, for example. As soon as I started playing with shots of the koi and duck, a post about collaboration started unfolding (in process right now); and this one island prow suggested to me when I saw it before I put camera to eye, the geometry of opposition, another post-idea floating about or perhaps a part of the collaboration post, and then I sought a way to create that sense in the image. I wasn’t, in other words, just looking for an interesting image that would stand on its own. I am finding that my words need my images, and my images need my words. And thus my Flickr sets and my text-only notebooks are sketches only and not as interesting to me as my stories, my presentations, some of my blogposts.

I’m also finding the way I explore online spaces shifting. I go to Flickr as often as to Bloglines and leave comments on photos as often as I do on blogs. (I really should use images to respond to images, I suppose…will have to try that.) I follow several blogs devoted to photography, multimedia and/or vernacular creativity including Dawoud Bey,Bagnewsnotes, Exposures, Magnum, and Do You Know Clarence (thanks to Leslie Madsen-Brooks).

I’m interested in Roy Ascott’s work, in Ron Burnett’s thinking about art, in all manner of theorists, philosophers and artists who write about the visual. I’m searching for explorations, commentary, meditations on this reciprocity between online digital writing and digital picture-taking, not as ekphrasis but as part of the online writer’s process of conceiving narrative and meaning.

I wonder if others are feeling this way, though I don’t often see posts using images in interesting, provocative ways (that s not to say that the way I use images always works–au contraire; mine are often glorious failures!) Because taking images has become an act of writing for me, I almost never (except in presentations) borrow other people’s photos (not a true mash-up artist I), but I would like to do more of that. I think it would be a good exercise, and I wish I had explored mash-ups more with my students when I had students. 😉

the world in an eggplant

Now it is time to take next steps, exploring more ways to push image up against text, to move them together and apart and see what I learn about what I am trying to say through the process of finding modes of expression new to me. I know I am hampered by my lack of skill, and so I need to become more versed at multimedia expression, the kind I am already doing, but also moving beyond the simple rotation of text and image, or of image with text written on it, or collage. Time, I think, to learn Flash. Time to get more creative, more bold, more experimental, perhaps, as a way to think about what it is we are doing in this creative/expressive/communicative/connective medium. Time to do more with audio, too.

How lucky we are to have this flexible medium that acts at once as palette and vehicle, as idea-source and expressive connector, as reflective/reflexive space and contact zone. How remarkable our students who often stun me with their creativity with this medium (oh, I will miss that!). As Janet Murray writes in Hamlet on the Holodeck: “As I watch the yearly growth in ingenuity among my students, I find myself anticipating a new kind of storyteller, one who is half hacker, half bard. The spirit of the hacker is one of great creative wellsprings of our time, causing the inanimate circuits to sing with ever more individualized and quirky voices; the spirit of the bard is eternal and irreplaceable, telling us what we are doing here and what we mean to one another.” (p.9) Is this what I struggle towards but have not the skills for?

So much to learn!